Ali Asadpour
Abstract
Phenomenology is one of the outstanding theoretical paradigms in contemporary studies in architecture and urban planning. However, the phenomenology of place in artworks, especially painting and drawings (visual arts), through architectural modalities could be a substantial attempt and a new ...
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Phenomenology is one of the outstanding theoretical paradigms in contemporary studies in architecture and urban planning. However, the phenomenology of place in artworks, especially painting and drawings (visual arts), through architectural modalities could be a substantial attempt and a new subject that needs more studies. The purpose of current research is to achieve a method based on which the phenomenon of place in the visual arts could interpret and explained more accurately. For this aim, a qualitative and descriptive method is applied. In this study, based on the theories of Martin Heidegger and Edward Ralph on the one hand and the ideas of Christian Norberg-Schultz, on the other hand, a framework for the phenomenological study of the place has been proposed in three stages of description, analysis, and explanation. Besides, the drawings of Sohrab Sepehri, one of the famous contemporary artists of Iran, have been studied as an example by applying this framework to show the efficiency of the proposed framework and method. The results of this study show that the interpretation of artworks based on these three stages consistent with the stage of phenomenological reduction and constitution which is common in phenomenology. Sohrab Sepehri's drawings were well in line with the phenomenological concepts of place and its components and variables introduced in this research. The challenges of applying this framework discussed and enhancing its validity by further studies in the works of other artists, recommended.
